EIGHT TYPES OF IMAGERY SKIN

And you do this with either general, abstract words that make a reader think, or you do this with specific, concrete words that allow a reader to see. In this analogy, the language of your poem can either bark generally or lead specifically. TimmyвЂ™s family couldnвЂ™t do anything to help him until Lassie did more than bark Lassie had to show them exactly what was wrong by leading them directly to Timmy so they could see precisely what the matter was. Timmy was curious and always getting into trouble. The phrase reminds me of the television show Lassie in which eleven-year-old TimmyвЂ™s collie named Lassie would run to tell TimmyвЂ™s family whenever Timmy was in trouble and needed rescuing. How many of you have heard this phrase before? Maybe you heard it in your high school creative writing or English classroom? Or maybe this is the first time you are hearing it. One of the five natural powers (touch, taste, smell, sight, and hearing) through which you receive information about the world around you.

EIGHT TYPES OF IMAGERY SKIN

We understand mentally through what our eyes, ears, nose, mouth, and skin understand physically. We do not understand through abstract thought. How we make sense of the words on the page.

This is how we make sense of the writing. What types of interpretations does this image invite? What others do you perceive What affects do the images in the above example have on your intellect? What types of connections, contrasts, resonance, and suggestions do the images make? For example, notice the contrast between the shady classroom and the sunny sidewalk. But once a piece of creative writing contains specific images and details, those details begin to have an additional affect on the readerвЂ™s intellect as the images resonate into symbols and create connections and suggestions. In example two above, vivid details invite your senses to take in the scene. It, therefore, engages our senses and sensibilities much more directly. The second example is much more detailed and imagistic than the first. Standing in the doorway between her classroom and the sunny sidewalk, four-year-old Meredith twisted her motherвЂ™s flowered skirt in her hands, hid her face in its folds, and stained its red silk with the thick mucus of her nose.The child was sad because it was her first day of school.The more specific we can be, the better.ДЇor example, note how the following descriptions affect your physical, emotional, and mental experience differently: When we are writing poetry we want to give our readers the world in its raw form, its physical, concrete existence. When we read writing, our mind processes the words into mental images with our five senses-sight, smell, taste, touch, and hearing. What the Merriam-Webster Dictionary defines as вЂњa mental pictureвЂќ which we as writers see through the mindвЂ™s eye. This is the language of creative writing. LetвЂ™s consider the answers to the questions below. If we examine the words associated with the act of writing, we find that language is directly rooted in the physical world of the body.

Eight types of imagery